NOT WHAT WE THINK WE OUGHT TO SEE FROM BELARUS
KorniagTHEATRE Brendan McCall © 2014 Many foreign audiences assume all Belarusian artists make political work, often inserting political discourses
KorniagTHEATRE Brendan McCall © 2014 Many foreign audiences assume all Belarusian artists make political work, often inserting political discourses
Dzianis Marcinovič In October 1990 the famous Yanka Kupala’s play banned for long decades returned to the stage.
There have been occasional rumors in Minsk that somewhere on the outskirts of Belarus there is another Free Theatre (not Belarusian Free Theatre t
© Published in pARTisan #17’2011 After the events of December 2010 Belarus Free Theatre was forced to exist not only outside Belarus culture but
Afterwards performance, a reality show for the theatre in one act, by Slava Inozemcev, InZest Theatre (Minsk).
THE PHENOMENON OF PAVAL PRAŽKO (PAVEL PRYAZHKO) Tania Arcimovič The text was written in 2012. Next years the situation has changed a little.
Tania Arcimovič The performance Chernobyl of the independent theatre group Kryly Halopa (Slave’s Wings) from Brest is the first part of the proje
The article was written special for The Dictionary of East Europe Performative Arts (the project of www.eepap.org).
EVENTS. NAMES. PLACES. …Among the members of my family profession of an actor has been considered as shameful.
Tania Arcimovič On February 13, 2013, within the First Belarusian Forum of Physical and Dance Theaters ‘PlaStforma-Minsk-2013′ Irina Anufrieva
Platform performative practices ‘ziErnie’ is an open platform for the development of the performative movement in Belarus in order to create an alternative to the dominant monopoly of state repertory theatre.
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